Cover Art: The Last Battle

Today, my wife and some kids went to a used bookstore and found "The Last Battle" (and some of the other Chronicles) with the cover on the left. The true excitement was, of course, that the books they found were in the correct, publication order, as opposed to the horrid "chronological" order of my current set. But I also noticed the difference in the cover art. And I wondered whether the changing of the cover was almost as bad (nothing could ever be as bad) as the changing of the numbering. 

Note above some of the examples of how that art changed over the years (though there are many that are not in the above array). Contrast, for example, the cover on the left and the third from the left. The latter clearly implies that the battle being referenced in the title is a physical one. The unicorn's blood-soaked horn suggests that there is a unicorn at the center of the story and his looking back tells us that the unicorn must look backwards out of concern of enemies approaching him from behind. There is a unicorn in "The Last Battle," and he does, at least once, stab someone with his horn. In addition, we know that the little band of good guys which the unicorn is part of, is effectively in enemy territory and must constantly look backwards. So, the cover is true, but does it get to the main theme of the story?

"The stars from their constellations fought against Sisera,"
sang the great prophetess (Judges 5:20).

The left-most cover suggests a very different theme. No physical battle is pictured. Rather we see through the door the darkness of night punctuated by falling stars. Inside the door it is bright and warm. If a battle is occurring, as the title states, it must be the stars fighting and the words of Deborah ring in our ears. The battle is not a physical one, it is a spiritual one, and the presence of Aslan (who at this point we certainly know) and a cohort of people suggests that Aslan has protected his chosen from the great battles raging outside.  

Why change the picture so starkly?

Well, it could be that people no longer recognize Deborah's song, and so the message would be lost. Or, unfortunately, it could be that the publisher does not believe that spiritual battles will sell. Physical battles are where the action is and the cover is meant to say, don't worry, this is a book about real, bloody, battles, not some spiritually boring theology. 

We see some of this already in the second cover. The picture is very much like the first, except with much more and sharper detail both inside and out of the door. The presence of (so far unknown) Father Time may be in line with the theme of the end of time (he may be blowing the great horn that accompanies the eschaton), but it detracts from the shower of stars. Worse, however, is that inside of the door is very much a continuation of outside. There is no contrast of light versus darkness or warmth versus cold. There is no implication of Aslan as the protector.

The final artwork revives the door and the contrast between inside and out. But now the unicorn is coming out of the door! This implies that the battle must be joined outside and that to win forces must be brought from there. I don't like it. The forces for spiritual battle are within all of us. Of course, we pray to God for His help and His deliverance, but we also cannot count on miraculous beings coming to help.